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Drawing on stones in Vietnam

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With skillful hands, Nguyen Viet Cong Thanh, a young man from the mountainous district of A Luoi in Thua Thien Hue Province, central Vietnam transforms ordinary and lifeless stones into vivid, lifelike artworks with animated brushstrokes.

Drawing on stones is nothing unusual for artists, but there are only a few people who can earn a living by doing it and make their artworks known to a wide audience.

However, a young man who lives in A Luoi is able to do both: drawing on stones and earning a living from the artworks.

Drawing on stones, why not?

After graduating from the Hue University School of Arts, Nguyen Viet Cong Thanh earned money by drawing murals to decorate restaurants and cafés. In order to ‘survive first,’ as Thanh said, he put aside his passion for art to make ends meet. 

The idea of painting on stones came to Thanh unexpectedly during a picnic with his friends three years ago. Walking along the spring and looking at stones in different shapes, Thanh wondered why he should not use the stones, of which there are so many in his hometown, as a material for drawing.

He immediately began to try his hand at the idea. He carefully searched for and collected stones, washed them before drying them in the sun, and then set about drawing on them for the first time.

It turned out that drawing on stones was not as easy as he first thought.

Because of the rough surface and asymmetrical shapes of the stones, it is a challenge for him to express his creative ideas.

In the mountainous area of A Luoi, there are many springs of all sizes. In the dry season, when it rarely rains, many stones in different colors and shapes appear at the bottom of the springs.

Thanh often waits for such times to do his work. With a small backpack, he wanders along all the springs in his hometown to find suitable stones.

When he finds ones, he often thinks about what he wants to draw on them in advance. Thanks to his creative hands, the stones that once lay idle in the bed of the spring seem to don a new appearance and come to life.

In order to create such beautiful works of art, Thanh has spent a lot of time gathering, drawing, and gaining more and more experience himself.

Some stone paintings by Nguyen Viet Cong Thanh. Photo: L. Chi / Tuoi Tre

Some stone paintings by Nguyen Viet Cong Thanh. Photo: L. Chi / Tuoi Tre

Making a living with art

The locals come across Thanh sitting silently by the spring, gazing at the streambed in the afternoon sun.

At this time, he is looking for stones suitable for his artwork, which may surprise some people.

Even Thanh’s mother wondered what her son would do with the raw stones he collected at home.

Since the day he decided to pursue art as a career, she was truly worried about her son’s future.

She was afraid that he would not be able to make a living as an artist!

But it turned out that was not the case. Thanh himself was surprised when the first bricks of drawings he posted on social media for fun caught the attention of his friends.

Since then, more and more people have heard about his 2D and 3D stone paintings.

Thanh’s first customer, who is passionate about collecting stone paintings, is from Hai Phong, a coastal city about 120 kilometers from Hanoi.

He heard about the young artist’s artwork on social media and came to buy it in person.

Other customers also find their way to Thanh. In this way, the young man’s stone paintings have been distributed to many cities and provinces such as Ho Chi Minh City, Da Nang, Hanoi, and more.

The more complex each stone painting is, the more time Thanh has to spend finishing them.

For simple works, he only needs one or two hours.

Paintings with a lot of details take him up to three hours or more to create.

“I have found that it is the roughness and asymmetrical shapes of each stone that make it unique and from which each stone painting is created, which becomes the first and therefore exclusive,” he said.

Each of Thanh’s stone paintings fetches up to a million Vietnamese dong. (VND1 million = US$42.3)

The young man’s artworks captured a lot of attention during the COVID-19 pandemic as many customers showed their interest in them.

Thanks to their support, Thanh’s extra income became his main source of living.

Currently, Thanh is still working as a muralist, just like what he has been doing for several years.

After working for hours to make a living, Thanh spends his free time painting stones as a passion.

Bringing stone paintings to life

Nguyen Viet Cong Thanh chooses to paint landscapes or animals on this 2D and 3D stone drawings.

Under his skillful and refined brushstrokes, the paintings convey lifelike feelings to people who look at them.

Thanh currently teaches drawing to local children at home. He hopes to one day hold an exhibition of his stone paintings.

The young man is also working with some host families providing homestay services in A Luoi District to offer experience tours where tourists can try their hand at painting on stones and other natural materials.

There are many other intentions and plans that have grown gradually in the young artist’s mind over time along with his skills and determination.

Like us on Facebook or follow us on Twitter to get the latest news about Vietnam!

With skillful hands, Nguyen Viet Cong Thanh, a young man from the mountainous district of A Luoi in Thua Thien Hue Province, central Vietnam transforms ordinary and lifeless stones into vivid, lifelike artworks with animated brushstrokes.

Drawing on stones is nothing unusual for artists, but there are only a few people who can earn a living by doing it and make their artworks known to a wide audience.

However, a young man who lives in A Luoi is able to do both: drawing on stones and earning a living from the artworks.

Drawing on stones, why not?

After graduating from the Hue University School of Arts, Nguyen Viet Cong Thanh earned money by drawing murals to decorate restaurants and cafés. In order to ‘survive first,’ as Thanh said, he put aside his passion for art to make ends meet. 

The idea of painting on stones came to Thanh unexpectedly during a picnic with his friends three years ago. Walking along the spring and looking at stones in different shapes, Thanh wondered why he should not use the stones, of which there are so many in his hometown, as a material for drawing.

He immediately began to try his hand at the idea. He carefully searched for and collected stones, washed them before drying them in the sun, and then set about drawing on them for the first time.

It turned out that drawing on stones was not as easy as he first thought.

Because of the rough surface and asymmetrical shapes of the stones, it is a challenge for him to express his creative ideas.

In the mountainous area of A Luoi, there are many springs of all sizes. In the dry season, when it rarely rains, many stones in different colors and shapes appear at the bottom of the springs.

Thanh often waits for such times to do his work. With a small backpack, he wanders along all the springs in his hometown to find suitable stones.

When he finds ones, he often thinks about what he wants to draw on them in advance. Thanks to his creative hands, the stones that once lay idle in the bed of the spring seem to don a new appearance and come to life.

In order to create such beautiful works of art, Thanh has spent a lot of time gathering, drawing, and gaining more and more experience himself.

Some stone paintings by Nguyen Viet Cong Thanh. Photo: L. Chi / Tuoi Tre

Some stone paintings by Nguyen Viet Cong Thanh. Photo: L. Chi / Tuoi Tre

Making a living with art

The locals come across Thanh sitting silently by the spring, gazing at the streambed in the afternoon sun.

At this time, he is looking for stones suitable for his artwork, which may surprise some people.

Even Thanh’s mother wondered what her son would do with the raw stones he collected at home.

Since the day he decided to pursue art as a career, she was truly worried about her son’s future.

She was afraid that he would not be able to make a living as an artist!

But it turned out that was not the case. Thanh himself was surprised when the first bricks of drawings he posted on social media for fun caught the attention of his friends.

Since then, more and more people have heard about his 2D and 3D stone paintings.

Thanh’s first customer, who is passionate about collecting stone paintings, is from Hai Phong, a coastal city about 120 kilometers from Hanoi.

He heard about the young artist’s artwork on social media and came to buy it in person.

Other customers also find their way to Thanh. In this way, the young man’s stone paintings have been distributed to many cities and provinces such as Ho Chi Minh City, Da Nang, Hanoi, and more.

The more complex each stone painting is, the more time Thanh has to spend finishing them.

For simple works, he only needs one or two hours.

Paintings with a lot of details take him up to three hours or more to create.

“I have found that it is the roughness and asymmetrical shapes of each stone that make it unique and from which each stone painting is created, which becomes the first and therefore exclusive,” he said.

Each of Thanh’s stone paintings fetches up to a million Vietnamese dong. (VND1 million = US$42.3)

The young man’s artworks captured a lot of attention during the COVID-19 pandemic as many customers showed their interest in them.

Thanks to their support, Thanh’s extra income became his main source of living.

Currently, Thanh is still working as a muralist, just like what he has been doing for several years.

After working for hours to make a living, Thanh spends his free time painting stones as a passion.

Bringing stone paintings to life

Nguyen Viet Cong Thanh chooses to paint landscapes or animals on this 2D and 3D stone drawings.

Under his skillful and refined brushstrokes, the paintings convey lifelike feelings to people who look at them.

Thanh currently teaches drawing to local children at home. He hopes to one day hold an exhibition of his stone paintings.

The young man is also working with some host families providing homestay services in A Luoi District to offer experience tours where tourists can try their hand at painting on stones and other natural materials.

There are many other intentions and plans that have grown gradually in the young artist’s mind over time along with his skills and determination.

Like us on Facebook or follow us on Twitter to get the latest news about Vietnam!

Source: https://tuoitrenews.vn/news/ttnewsstyle/20230307/drawing-on-stones-in-vietnam/71832.html

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Ancient Mang Thit brick village: A nostalgic destination in Vietnam’s Mekong Delta

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Situated in Mang Thit District of Vinh Long Province in the Mekong Delta of Vietnam, the Mang Thit brick village, known as the ‘kingdom of bricks’ in the region, has a history of over 100 years, making it very attractive to tourists from near and far.

The uniqueness of the ancient brick village lies in its kilns, with each of them having a height of 5-12 meters and a round tower shape, creating a distinctive architectural complex.

Mang Thit is also regarded as a village of traditional craftsmanship and tourism.

Such a perfect combination drives up the village’s economic growth.

Blocks molded in clay are sunbathed before being put into a kiln for burning

Blocks molded in clay are sunbathed before being put into a kiln for burning in the Mang Thit brick village in Mang Thit District, Vinh Long Province, Vietnam.  

 

Vinh Long Province offers supportive policies to local craftsmen and gives special mechanisms to turn the brick hub into the ‘Mang Thit contemporary cultural heritage’ to further boost socio-economic development.

Nam Lon, whose real name is Le Van Lon, a 72-year-old resident of Nhon Phu Commune, Mang Thit District, has over 40 years of brick-making experience.

In boom times, the village had over 2,800 kilns, but it is now home to only 1,000 furnaces, with a mere 30 kilns burning frequently, he recounted.

Meanwhile, the rest lie idle waiting for tourists, he added.

“Apart from the beauty of kilns, which look like eggs, the secret to burning a kiln becomes unique and exciting,” Nam Lon said.

“As a highly-skilled kiln-man, he must know how to control the fire to burn bricks well.

“Brick-making can make money, depending on the artisan’s experience and skills.

“I am very pleased and excited to see the place used for tourism development.

“If a large number of tourists visit the village, locals can enjoy a more comfortable life and preserve the traditional craft.”

In fact, the Mang Thit brick village is fading into history as many artisans have quit the craft to land a new profitable job, while furnaces have degraded.

The owners of operational kilns are struggling to make a living and wait for a promising start of a ‘contemporary cultural heritage site.’

The village now has only 30 burning furnaces as many artisans have landed another job

The village now has only 30 burning furnaces as many artisans have landed another job.

Mr. Hoa, a resident of Nhon Phu Commune, has pursued the craft for over 20 years

Mr. Hoa, a resident of Nhon Phu Commune, has pursued the craft for over 20 years.

Nam Lon says that in boom times, the village has over 2,800 kilns, but is now home to only 1,000 furnaces, with a mere 30 kilns burning frequently

Nam Lon says that in boom times, the village has over 2,800 kilns, but it is now home to only 1,000 furnaces, with a mere 30 kilns burning frequently.

The Mang Thit Brick Village is a must-visit destination in the Mekong Delta region

The Mang Thit brick village is a must-visit destination in the Mekong Delta region.

A photo shows abandoned and aging kilns

A photo shows abandoned and aging kilns.

Like us on Facebook or  follow us on Twitter to get the latest news about Vietnam!

Situated in Mang Thit District of Vinh Long Province in the Mekong Delta of Vietnam, the Mang Thit brick village, known as the ‘kingdom of bricks’ in the region, has a history of over 100 years, making it very attractive to tourists from near and far.

The uniqueness of the ancient brick village lies in its kilns, with each of them having a height of 5-12 meters and a round tower shape, creating a distinctive architectural complex.

Mang Thit is also regarded as a village of traditional craftsmanship and tourism.

Such a perfect combination drives up the village’s economic growth.

Blocks molded in clay are sunbathed before being put into a kiln for burning

Blocks molded in clay are sunbathed before being put into a kiln for burning in the Mang Thit brick village in Mang Thit District, Vinh Long Province, Vietnam.  

 

Vinh Long Province offers supportive policies to local craftsmen and gives special mechanisms to turn the brick hub into the ‘Mang Thit contemporary cultural heritage’ to further boost socio-economic development.

Nam Lon, whose real name is Le Van Lon, a 72-year-old resident of Nhon Phu Commune, Mang Thit District, has over 40 years of brick-making experience.

In boom times, the village had over 2,800 kilns, but it is now home to only 1,000 furnaces, with a mere 30 kilns burning frequently, he recounted.

Meanwhile, the rest lie idle waiting for tourists, he added.

“Apart from the beauty of kilns, which look like eggs, the secret to burning a kiln becomes unique and exciting,” Nam Lon said.

“As a highly-skilled kiln-man, he must know how to control the fire to burn bricks well.

“Brick-making can make money, depending on the artisan’s experience and skills.

“I am very pleased and excited to see the place used for tourism development.

“If a large number of tourists visit the village, locals can enjoy a more comfortable life and preserve the traditional craft.”

In fact, the Mang Thit brick village is fading into history as many artisans have quit the craft to land a new profitable job, while furnaces have degraded.

The owners of operational kilns are struggling to make a living and wait for a promising start of a ‘contemporary cultural heritage site.’

The village now has only 30 burning furnaces as many artisans have landed another job

The village now has only 30 burning furnaces as many artisans have landed another job.

Mr. Hoa, a resident of Nhon Phu Commune, has pursued the craft for over 20 years

Mr. Hoa, a resident of Nhon Phu Commune, has pursued the craft for over 20 years.

Nam Lon says that in boom times, the village has over 2,800 kilns, but is now home to only 1,000 furnaces, with a mere 30 kilns burning frequently

Nam Lon says that in boom times, the village has over 2,800 kilns, but it is now home to only 1,000 furnaces, with a mere 30 kilns burning frequently.

The Mang Thit Brick Village is a must-visit destination in the Mekong Delta region

The Mang Thit brick village is a must-visit destination in the Mekong Delta region.

A photo shows abandoned and aging kilns

A photo shows abandoned and aging kilns.

Like us on Facebook or  follow us on Twitter to get the latest news about Vietnam!

Source: https://tuoitrenews.vn/news/ttnewsstyle/20230317/ancient-mang-thit-brick-village-a-nostalgic-destination-in-vietnams-mekong-delta/72101.html

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500,000 LED lights brighten downtown park in Ho Chi Minh City

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Approximately 500,000 LED lights are used to form a lotus field and cherry blossom garden at Bach Dang Wharf Park in District 1, Ho Chi Minh City.

The ‘light garden’ is just one of several activities held as part of Ho Chi Minh City’s 8th Japan-Vietnam Festival, which coincides with the 50th anniversary of Vietnam-Japan diplomatic relations.

The two scenes were inspired by iconic flowers from the two countries: lotus and sakura, also known as Japanese cherry blossom.

Aside from the lotus and sakura light displays, the event organizers have installed colorful lights throughout the rest of the park, including a 50-meter-long, four-meter-wide lit-up dome that is quickly emerging as a popular photo hotspot for young Ho Chi Minh City residents.

Tuan, a resident of Phu Nhuan District, Ho Chi Minh City, along with his family, takes selfies in the LED lotus field. Photo: T.T.D. / Tuoi Tre

Tuan, a resident of Phu Nhuan District, Ho Chi Minh City, takes a wefie along with his family in the LED lotus field. Photo: T.T.D. / Tuoi Tre

The LED lotus field in the Bach Dang Wharf Park in District 1, Ho Chi Minh City. Photo: T.T.D. / Tuoi Tre

The LED lotus field at Bach Dang Wharf Park in District 1, Ho Chi Minh City. Photo: T.T.D. / Tuoi Tre

Delegates inaugurate the light display at Bach Dang Wharf Park in District 1, Ho Chi Minh City. Photo: T.T.D. / Tuoi Tre

Delegates inaugurate the light display at Bach Dang Wharf Park in District 1, Ho Chi Minh City. Photo: T.T.D. / Tuoi Tre

The number of LED lights—500,000—is symbolic of the 50 years of diplomatic ties between Vietnam and Japan.

Tran Phuoc Anh, director of the Ho Chi Minh City Department of Foreign Affairs, said that the light display at Bach Dang Wharf Park is indicative of the bright future ahead for Vietnam and Japan.

Meanwhile, Watanabe Nobuhiro, Consul General of Japan in Ho Chi Minh City, expressed his gratitude to the Ho Chi Minh City leadership for their collaboration with the Japanese Business Association of Ho Chi Minh City to organize the light display and contribute to the establishment of an improved nighttime entertainment venue in the city.

He shared his hope that local residents will appreciate the sakura and lotus light displays.

The lights will be kept up at Bach Dang Wharf Park until April 16.

On February 25 and 26, the 8th Japan Vietnam Festival was held at the 23/9 Park in District 1, Ho Chi Minh City and featured several culture, trade, and cuisine exchanges.

The event, which attracted 500,000 locals and tourists, contributed to fostering the relations between Japan, Ho Chi Minh City, and Vietnam as a whole.

Two youngsters take selfies in the LED lotus field. Photo: T.T.D. / Tuoi Tre

Two youngsters take a selfie in the LED lotus field. Photo: T.T.D. / Tuoi Tre

The LED sakura flowers at Bach Dang Wharf Park in District 1, Ho Chi Minh City. Photo: T.T.D. / Tuoi Tre

The LED sakura flowers at Bach Dang Wharf Park in District 1, Ho Chi Minh City. Photo: T.T.D. / Tuoi Tre

Like us on Facebook or  follow us on Twitter to get the latest news about Vietnam!

Approximately 500,000 LED lights are used to form a lotus field and cherry blossom garden at Bach Dang Wharf Park in District 1, Ho Chi Minh City.

The ‘light garden’ is just one of several activities held as part of Ho Chi Minh City’s 8th Japan-Vietnam Festival, which coincides with the 50th anniversary of Vietnam-Japan diplomatic relations.

The two scenes were inspired by iconic flowers from the two countries: lotus and sakura, also known as Japanese cherry blossom.

Aside from the lotus and sakura light displays, the event organizers have installed colorful lights throughout the rest of the park, including a 50-meter-long, four-meter-wide lit-up dome that is quickly emerging as a popular photo hotspot for young Ho Chi Minh City residents.

Tuan, a resident of Phu Nhuan District, Ho Chi Minh City, along with his family, takes selfies in the LED lotus field. Photo: T.T.D. / Tuoi Tre

Tuan, a resident of Phu Nhuan District, Ho Chi Minh City, takes a wefie along with his family in the LED lotus field. Photo: T.T.D. / Tuoi Tre

The LED lotus field in the Bach Dang Wharf Park in District 1, Ho Chi Minh City. Photo: T.T.D. / Tuoi Tre

The LED lotus field at Bach Dang Wharf Park in District 1, Ho Chi Minh City. Photo: T.T.D. / Tuoi Tre

Delegates inaugurate the light display at Bach Dang Wharf Park in District 1, Ho Chi Minh City. Photo: T.T.D. / Tuoi Tre

Delegates inaugurate the light display at Bach Dang Wharf Park in District 1, Ho Chi Minh City. Photo: T.T.D. / Tuoi Tre

The number of LED lights—500,000—is symbolic of the 50 years of diplomatic ties between Vietnam and Japan.

Tran Phuoc Anh, director of the Ho Chi Minh City Department of Foreign Affairs, said that the light display at Bach Dang Wharf Park is indicative of the bright future ahead for Vietnam and Japan.

Meanwhile, Watanabe Nobuhiro, Consul General of Japan in Ho Chi Minh City, expressed his gratitude to the Ho Chi Minh City leadership for their collaboration with the Japanese Business Association of Ho Chi Minh City to organize the light display and contribute to the establishment of an improved nighttime entertainment venue in the city.

He shared his hope that local residents will appreciate the sakura and lotus light displays.

The lights will be kept up at Bach Dang Wharf Park until April 16.

On February 25 and 26, the 8th Japan Vietnam Festival was held at the 23/9 Park in District 1, Ho Chi Minh City and featured several culture, trade, and cuisine exchanges.

The event, which attracted 500,000 locals and tourists, contributed to fostering the relations between Japan, Ho Chi Minh City, and Vietnam as a whole.

Two youngsters take selfies in the LED lotus field. Photo: T.T.D. / Tuoi Tre

Two youngsters take a selfie in the LED lotus field. Photo: T.T.D. / Tuoi Tre

The LED sakura flowers at Bach Dang Wharf Park in District 1, Ho Chi Minh City. Photo: T.T.D. / Tuoi Tre

The LED sakura flowers at Bach Dang Wharf Park in District 1, Ho Chi Minh City. Photo: T.T.D. / Tuoi Tre

Like us on Facebook or  follow us on Twitter to get the latest news about Vietnam!

Source: https://tuoitrenews.vn/news/ttnewsstyle/20230316/500000-led-lights-brighten-downtown-park-in-ho-chi-minh-city/72125.html

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Ke Huy Quan wins best supporting actor Oscar for ‘Everything, Everywhere’

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Ke Huy Quan, the Vietnamese-born actor who as a child appeared in “Indiana Jones and the Temple of Doom,” received the Academy Award for best supporting actor for his role as Waymond Wang in “Everything Everywhere All at Once.”

Quan, 51, made his big-screen debut as Harrison Ford’s sidekick, Short Round, in the 1984 film, and later appeared in the film “The Goonies” and the situation comedy “Head of the Class.”

He has spoken publicly about stepping away from acting as an adult, working as a stunt coordinator and assistant director, because there weren’t enough opportunities for Asian actors.

Quan’s portrayal of Waymond Wang was his first major role since the ’90s.

“Dreams are something you have to believe in,” Quan said. “I almost gave up on mine. To all of you out there, please keep your dreams alive,” he said in his acceptance speech.

Quan has said he felt “so very lucky to have been chosen” for the “Indiana Jones” role, though he began to wonder “if that was it.”

“For so many years, I was afraid I had nothing more to offer, that no matter what I did, I would never surpass what I achieved as a kid,” Quan said. “Thankfully, more than 30 years later, two guys thought of me. They remembered that kid. And they gave me an opportunity to try again.”

On stage at the Oscars, Quan tearfully acknowledged his 84-year-old mother watching at home, hefting the Oscar and declaring, “Mom, I just won an Oscar!”

Ke Huy Quan, the Vietnamese-born actor who as a child appeared in “Indiana Jones and the Temple of Doom,” received the Academy Award for best supporting actor for his role as Waymond Wang in “Everything Everywhere All at Once.”

Quan, 51, made his big-screen debut as Harrison Ford’s sidekick, Short Round, in the 1984 film, and later appeared in the film “The Goonies” and the situation comedy “Head of the Class.”

He has spoken publicly about stepping away from acting as an adult, working as a stunt coordinator and assistant director, because there weren’t enough opportunities for Asian actors.

Quan’s portrayal of Waymond Wang was his first major role since the ’90s.

“Dreams are something you have to believe in,” Quan said. “I almost gave up on mine. To all of you out there, please keep your dreams alive,” he said in his acceptance speech.

Quan has said he felt “so very lucky to have been chosen” for the “Indiana Jones” role, though he began to wonder “if that was it.”

“For so many years, I was afraid I had nothing more to offer, that no matter what I did, I would never surpass what I achieved as a kid,” Quan said. “Thankfully, more than 30 years later, two guys thought of me. They remembered that kid. And they gave me an opportunity to try again.”

On stage at the Oscars, Quan tearfully acknowledged his 84-year-old mother watching at home, hefting the Oscar and declaring, “Mom, I just won an Oscar!”

Source: https://tuoitrenews.vn/news/ttnewsstyle/20230313/ke-huy-quan-wins-best-supporting-actor-oscar-for-everything-everywhere/72080.html

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