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Private collectors should be key in heritage preservation: researcher

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The National Museum of Vietnamese History in downtown Hà Nội is hosting an exhibition titled ‘Vietnam Ceramics: A Separate Tradition – From the An Biên Collection’. Most of the objects belong to a private collection owned by businessman Trần Đình Thăng from the northern port city of Hải Phòng.

Lê Hương speaks with Phạm Quốc Quân, former director of the museum and a member of the Việt Nam Culture Heritage Association’s Executive Board, on the role of private collectors in preserving cultural heritage.

Phạm Quốc Quân, member of the Việt Nam Culture Heritage Association’s Executive Board. —  Photo Lê Hương

The Government has just approved a plan to preserve and develop heritage values in the 2021-2025 period. Is this exhibition part of the plan? What do you think about the State’s guidelines on preserving cultural heritage?

I think the plan follows the principles of the Central Party and the State in preserving cultural heritage. As a cultural worker and now a member of the Việt Nam Culture Heritage Association’s Executive Board, I think the plan should mobilise the whole society to join in the task. One of the most important forces is ordinary people. I have worked with many foreign experts, who stressed that in any country, though very rich, the State cannot have enough capability to work alone in gathering materials and antiques throughout the history. They should mobilise forces [human and financial resource] among people.

This exhibition is a way to approach private collectors and bring into full play their resources. The event aims to spread the spirit to enterprises, economic groups and encourage people and antique lovers to join in.

I think this approach is one among directions marked out by the International Council of Museums in the pandemic period.

As a researcher, how do you judge this collection?

I think the An Biên collection is itself very rich, of which this exhibition showcases just a small part. But the museum and the collector put an academic approach for this exhibition in comparison with other previous events of the same kind, which were pure exhibitions.

At this exhibition, people can see the development of Vietnamese ceramics under the view of researchers, which also satisfies people’s curiosity. The collection showcases the special features of Vietnamese ceramics.

From this approach, visitors can travel through the development of Vietnamese ceramics from the beginning of AD to 18th-19th centuries. Each historic period marked by an advanced step.

The first milestone is the first centuries after AD, when Vietnamese people learnt the techniques from overseas.

Glazed dish of Bát Tràng Ceramics Village dated to the 18th century. — Photo Lê Hương

The second period is Lý (1009-1225) and Trần (1225-1400) reigns. The collection offers a look on basic ceramic genres.

The Đại Việt era (1428-1805) is also another milestone, which has been considered the “Renaissance period” of Vietnamese culture.

The 15th century is also another important time, when countries with advanced ceramics techniques like China closed their doors to the rest of the world. In this time, Vietnamese pottery developed well and offered high-quality goods for export. The period lasts until the 19th century, when Vietnamese artisans proved their skills in creating various kinds of glaze and clay and decorative patterns.

The collection somewhat reflects the unique values of Vietnamese ceramics.

As a member of the Heritage Association, what do you think about exchanges among individual collectors? What do you think about the chance for the public to see such a collection?

Since the Culture Law was put into effect [in 2002], which was like rain onto a dry land, private museums and collectors have moved forward. The private collectors have been encouraged a lot after such an event. They will also know about this kind of co-operation with state-owned agencies to show off their collections.

I think the government’s guidelines in the plan are very precise, in which ordinary people play an important role in preserving national heritage.

Source: https://vietnamnews.vn/life-style/1085418/private-collectors-should-be-key-in-heritage-preservation-researcher.html

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Three Vietnamese directors win awards at Singapore International Film Festival

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Three young Vietnamese directors have been named the winners of various prizes at the 2021 Singapore International Film Festival (SGIFF).

The 2021 SGIFF ran from November 25 to December 5, featuring a diverse and inclusive range of over 100 films by filmmakers from all over the world.

The winners of the festival’s Silver Screen Awards were announced on Sunday.

Representatives from Vietnam won three awards this year.

‘The Men Who Wait’ by Truong Minh Quy won the Best Southeast Asian Short Film.

A screenshot from ‘Grandma’s Broken Leg’ by Huynh Cong Nho. Photo: SGIFF

A screenshot from ‘Grandma’s Broken Leg’ by Huynh Cong Nho. Photo: SGIFF

The organizing board stated that the film depicts the aspirations and loneliness of people in their most vulnerable state.

‘Grandma’s Broken Leg’ by Huynh Cong Nho was honored with the Youth Jury Prize.

The Fellowship Prize was given to Pham Hoang Minh Thy for ‘Daughter of the Mountain God.’

Thy shared this prize with Filipino director Paul Rembert Patindol for his ‘Rafael’ film.

This year’s Best Film went to ‘Hit The Road’ by Iranian director Panah Panahi, while the Best Director title was presented to India’s P.S. Vinothraj for ‘Pebbles.’

Vietnamese director Pham Hoang Minh Thy. Photo: SGIFF

Vietnamese director Pham Hoang Minh Thy. Photo: SGIFF

The SGIFF is the largest and longest-running film event in Singapore.

Founded in 1987, the festival focuses on showcasing international films and providing a global platform for the best of Singapore cinema, according to its website.

With the Silver Screen Awards as a component, the event recognizes excellence in Asian cinema in two main categories – Asian Feature Film Competition and Southeast Asian Short Film Competition.

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Source: https://tuoitrenews.vn/news/ttnewsstyle/20211206/three-vietnamese-directors-win-awards-at-singapore-international-film-festival/64574.html

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Vietnamese, Hollywood films hit cinemas in festive season

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Teenage actress Lâm Thanh Mỹ plays in ‘Bóng Đè’ (The Ancestral), a long-awaited horror movie directed and written by Lê Văn Kiệt, which is coming to cinemas on December 24. Photo courtesy of the producer

HCM CITY – A number of Vietnamese and Hollywood movies will be released during the festive season to attract audiences back to the cinemas.

Bóng Đè (The Ancestral), a long-awaited horror movie directed and written by Lê Văn Kiệt, is coming to cinemas on December 24. Even though the film has not been officially released, it has already been licensed for distribution in 25 countries.

The work revolves around a widower named Thành and his two daughters. After suffering a family tragedy, Thanh and his children move to a centuries-old ancestral home where both daughters fall prey to sleep paralysis and night terrors.

The film features actor Quang Tuấn and teenage actresses Lâm Thanh Mỹ and Mai Cát Vi.

Mỹ, 15, rose to fame when acting in the award-winning movie Tôi Thấy Hoa Vàng Trên Cỏ Xanh (Yellow Flowers on the Green Grass) in 2015.

Meanwhile, the 12-year-old Vi is known for a supporting role in the action movie Hai Phượng (Furie), another work by director Kiệt which earned VNĐ160 billion (US$6.9 million) in the domestic market and VNĐ40 billion in the international market.

Kiệt graduated from the School of Theater, Film and Television at University of California, Los Angeles.

His popular works include horror film Ngôi Nhà Trong Hẻm (House in the Ally) and mystery-thriller Dịu Dàng (Gentle) – a modern Vietnamese adaptation of Russian writer Fyodor Dostoevsky’s novel A Gentle Creature.

Another Vietnamese film, Bẫy Ngọt Ngào (Naked Truth), a directorial debut by female director Đinh Hà Uyên Thư, is set to premiere on December 31.

Thư, who is famous for producing viral music videos for Vietnamese pop stars like Sơn Tùng M-TP, Noo Phước Thịnh and Tóc Tiên, has spent three years on the drama about love, friendship and marriage.

The film features Bảo Anh, Minh Hằng and Diệu Nhi, who are expected to guarantee box-office success for the film. 

‘Bẫy Ngọt Ngào’ (Naked Truth), a directorial debut by female director Đinh Hà Uyên Thư, is set to premiere on December 31. Photo courtesy of the producer

“We’ve spent a tough year due to the pandemic. We set the premiere day of Bẫy Ngọt Ngào on December 31, a special day when people welcome a new year. Out with the old, in with the new!” said singer-actress Minh Hằng, the film’s producer.

“The year-end season is the perfect time for a film release. Despite competing with Hollywood blockbusters, Vietnamese film producers have been working very hard to bring audiences quality productions. I believe our works are going to bear fruit and the Vietnamese film industry will see a bright journey in 2022,” said the 35-year-old.

Bẫy Ngọt Ngào was scheduled to be released in May, but was postponed because of the fourth wave of COVID-19 pandemic. 

Rừng Thế Mạng (Survive), a psychological thriller by director Trần Hữu Tấn, which was scheduled to be released in June, will be in cinemas on December 31.

In addition, the festive season will see the premiere of Hollywood films in Việt Nam such as No Time To Die, Spider-man: No Way Home, Fast and Furious 9, and The Matrix Resurrections.

Nguyễn Hoàng Hải, chief content officer of CJ CGV Vietnam, said: “CGV hopes the reopening of cinemas revives the film industry. The company is ready to serve audiences with many Vietnamese and Hollywood films. In addition, many special Vietnamese film productions are completed and expected to premiere in the holiday season and for Tết (Lunar New Year).”

On November 19, HCM City authorities allowed cinemas to reopen in low risk (green), medium risk (yellow) and high risk (orange) zones, but not in very high risk red zones. Cinemas in green zones can operate at full capacity, while cinemas in yellow and orange zones must limit their capacity to 50 per cent and 25 per cent, respectively.

Employees and customers need to be fully vaccinated and must comply with 5K COVID-safety rules, and use QR codes and apps to make medical declarations.

Despire reopening, cinemas owned by Thiên Ngân (Galaxy) Cinemas, CGV, Lotte and BHD have not seen many moviegoers in recent days. 

Nguyễn Minh Đức of District 2 said he decided to go to the cinema alone, and not accompany his group of friends, to avoid gatherings.

“Many people are still worried about COVID-19, so they go to the cinema alone or stay at home to watch movies on streaming platforms,” Đức said:

Hải of CGV said since reopening, revenue has reached 30-35 per cent compared to before the pandemic.

 

Source: https://vietnamnews.vn/life-style/1093518/vietnamese-hollywood-films-hit-cinemas-in-festive-season.html

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Writing contest for students launched

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Students are encouraged to participate in the writing contest called Tết 5k (Lunar New Year Festival with 5K anti-coronavirus rules) launched by the Áo Trắng (White Long Dress school uniform) magazine in HCM City. Photo courtesy of the organiser

 

HCM CITY — A writing contest targeting Vietnamese students at home and abroad has been launched by the Áo Trắng (White Long Dress school uniform) magazine in HCM City. 

The contest, Tết 5k (Lunar New Year Festival with 5K anti-coronavirus rules), aims to discover and support young writers. It will offer offer prizes in the categories of essay and short stories. 

The organiser seeks works with themes about people’s daily life during the COVID-19 pandemic, particularly living safely in the “new normal” state with the anti-coronavirus rules 5Ks, which in Vietnamese stands for: Khẩu trang (facemask), Khử khuẩn (disinfection), Khoảng cách (distance), Không tụ tập (no gathering), and Khai báo y tế (health declaration). 

The stories, challenges and sacrifices that doctors, nurses and other health workers have faced in quarantine zones are encouraged. Themes on love, solidarity, mercy, energy and belief are also included.

Entries should be no less than 800 words and no longer than 1,500 words, and postmarked by January 1, 2022. They should be sent to the organiser’s email at tap[email protected]

Famous authors, poets and translators will be part of the jury. 

“We hope our contest will give students a chance to improve their writing and develop their talent,” veteran poet Trần Hoàng Nhân of Áo Trắng magazine, a member of the contest’s organising board, said.

 

Áo Trắng magazine was one of many popular magazines for secondary school students, including Tuổi Ngọc (Teen Age) and Hoa Học Trò (Flowers of Students), in the 1980s-90s in HCM City. Photo courtesy of the organiser

 Áo Trắng magazine was one of many popular magazines for secondary school students, including Tuổi Ngọc (Teen Age) and Hoa Học Trò (Flowers of Students), in the 1980s-90s in HCM City. 

The magazine worked with dozens of famous writers, such as Nguyễn Thị Minh Ngọc, Lê Minh Quốc and Tôn Nữ Thu Dung, to release books on teen loves, hopes and dreams. It released many works by students and young writers. 

The magazine was printed for the last time in October, 2021. It is scheduled to be availavle online in early 2022.

“The dearth of age-appropriate material leaves teenagers with very few choices for their needs. Writers and publishers should work together to increase the number of magazines and books for teenagers on the market,” said veteran author Từ Kế Tường, who worked for Áo Trắng in the 1980s.  

Tường began his career in 1969 in Sài Gòn (now Hồ Chí Minh City). He was popular in the 1970s and 80s. He has released more than 50 books, mostly novels and short stories for teenagers.

The best works of the contest Tết 5k will be published on the fanpage of Áo Trắng. The prize winners will be announced on January 16.

 

 

 

 

 

 

 

 

Source: https://vietnamnews.vn/life-style/1093519/writing-contest-for-students-launched.html

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