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This acclaimed chef is selling $100 ‘banh mi,’ ‘pho’ in Vietnam

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Anan Saigon has spent its past three years in Ho Chi Minh City drawing in urban foodies eager to find out for themselves what a US$100 banh mi really tastes like.

Though banh mi, a Vietnamese baguette stuffed with pate, cold cuts, or eggs, can be found on the food carts lining nearly every street in Ho Chi Minh City for less than a dollar, Anan Saigon and its head chef Peter Cuong Franklin are offering a pricey take on the traditional street snack.

Located in Cho Cu (Old Market), a wet market on Ton That Dam Street in downtown District 1, the restaurant ranks just 75th among 4,083 restaurants in the city on TripAdvisor, but foodies are still flocking to the place to try out its expensive treats.

A fine dining banh mi

“People ask me if I put gold dust or gold bars inside the banh mi,” chef Franklin told Tuoi Tre News with a smile. 

But for a foodie, what chef Franklin puts inside his banh mi is not so far off. 

Truffle mayonnaise, foie gras, and caviar are just a few of the pricey additions Franklin tops off the signature pork chop he uses in his banh mi.

The $100 sandwich is then topped off with a traditional garnish of sliced cucumbers, cilantro, and mint alongside a side of fried sweet potatoes and caviar.

The $100 banh mi is not the only twist on traditional Vietnamese cuisine Franklin has added to Anan’s menu. 

Alongside the conventional sandwich, diners can try out a $100 bowl of pho, a Vietnamese beef noodle soup that typically costs less than VND100,000 ($4.30) in Saigon — the former name of Ho Chi Minh City stll popularly used now.

“When it comes to Vietnamese food, foreigners have always thought of pho and banh mi as the two iconic dishes of Vietnamese cuisine,” Franklin said. 

“But they have always thought of them as cheap dishes, and that’s the common attitude of many towards Vietnamese foods. 

“I want to change that perspective.”

Vietnamese - American chef Peter Cuong Franklin is seen in a photo he provided Tuoi Tre News

Vietnamese-American chef Peter Cuong Franklin is seen in a photo he provided Tuoi Tre News.

Franklin’s goal with his high-class take on traditional dishes is to incorporate high-quality ingredients and modern cooking techniques, while maintaining the integrity, freshness, and harmony of the tastes that made them iconic in the first place.

“We want to stimulate curiosity and help people realize that Vietnamese cuisine is not just about inexpensive street food but also creative cuisine and fine dining,” chef Franklin insisted. 

The expensive pho and banh mi are actually not on the restaurant’s menu and eager foodies must call ahead and order the dishes in advance.

The dishes are made to Franklin’s ‘ambition’ of elevating Vietnamese street foods into fine dining.

“Customers at Japanese and Italian restaurants are willing to pay VND150,000-200,000 [$6-8] for a bowl of ramen or plate of pasta, but not everyone is happy to pay the same price for a bowl of pho? Why?” Franklin asked.

“Pho is more complicated to cook and requires more time and effort. 

“We make our ‘crazy’ $100 pho to change those perceptions.”

A bowl of pho on Anan Saigon’s menu fetches around VND225,000-275,000 ($10-12).

A promo photo of 'Special pho' posted on Anan Saigon's Facebook page

A promo photo of ‘Special pho’ posted on Anan Saigon’s Facebook page

‘New Vietnamese’

“Chef Peter’s creative new Vietnamese cuisine reflects his vision of a Vietnam that is deeply respectful of its history and traditions yet progressive and international in its outlook,” Anan Saigon proclaims on its website.

“He takes inspiration from the country’s vibrant food culture and uses fresh ingredients often sourced from local markets while incorporating French culinary techniques,” the website continues.

Born in the Central Highlands city of Da Lat, Peter Cuong Franklin spent his childhood enveloped by the smells and flavors of his mother’s noodle shop – smells and flavors he now claims as inspiration thanks to his mother being “one of the best cooks in the village” due to her famous Quang noodles, cha lua (Vietnamese pork sausage) and nem nuong (grilled meatloaf).

Moving to the U.S. as a teenager in 1975, Franklin had a successful career in banking before eventually deciding to follow his love and passion for food.

He enrolled in Le Cordon Bleu before going on to run two Vietnamese restaurants in Hong Kong and Anan Saigon later.

When asked why he returned to Vietnam and run a restaurant, Franklin’s reply was simple: “I’m Vietnamese.”

“I opened Anan Saigon about three years ago with the aspiration to create a new style of Vietnamese cuisine in my motherland,” chef Franklin explained. 

“Some people call it ‘fusion’ but I prefer to call this style of cooking New Vietnamese.”

Chef Franklin lets his New Vietnamese style fly at Anan.

“Anan Saigon incorporates many global influences and yet respects the deep history and traditions of Vietnam,” he said.

Other dishes that have helped the restaurant gain a reputation among local and international foodies include its banh xeo taco – a dish consisting of a central Vietnamese region-style banh xeo (Vietnamese pancake) folded into the shape of a Mexican taco and filled with shrimp and pork, cha ca Ha Noi (Hanoi-style grilled fish), or beef stew.

Two banh xeo tacos at Anan Saigon. One is filled with cha ca Hanoi and the other consists of shrimp and pork. Photo: Tuoi Tre/Gia Tien

Banh xeo tacos at Anan Saigon. One taco is filled with cha ca Ha Noi and the other consists of shrimp and pork. Photo: Gia Tien / Tuoi Tre

According to Franklin, it took six months before he was able to successfully shape banh xeo into a taco.

Also on Anan’s menu are the Foie grass imperial roll made from pork, black truffle, and herbs; Buffalo carpaccio made from buffalo flank, black truffle, peanuts, and quail eggs; Caviar and congee consisting of rice congee, smoked sturgeon, and Da Lat caviar; and an Escargot Da Lat pizza made from grilled rice paper topped with snail, pork, garlic, mozzarella, and rau ram (Vietnamese coriander).

His mission is “to revisit Vietnamese cuisine and look at our food from a new and modern perspective,” he said, adding that his inspiration is drawn from every corner of his life, like the bowl of bun oc (snail noodles) he ate in the Old Market which inspired Escargot Da Lat pizza.

“My goal is to create food that is not only up-to-date, but also has a history, a story, and reference points in traditional techniques and local ingredients,” he shared.  

“I want to learn as much as possible from the traditional food culture and then search for new and innovative ways to modernize humble dishes to gourmet levels using quality ingredients and modern cooking techniques, all while retaining the spirit and flavor of Vietnamese cuisine.”

Chef Peter Cuong Franklin and his signature banh xeo tacos. Photo: Tuoi Tre/Gia Tien

Chef Peter Cuong Franklin and his signature banh xeo tacos. Photo: Gia Tien / Tuoi Tre

To sum it up, Franklin’s cooking is all about his roots.

“I have lived in Hong Kong, London, New York and other cities in the world, but I was born and raised in Da Lat so I consider myself Vietnamese and Vietnam as my homeland,” he said.

“That is why I believe that the food that I cook and create is Vietnamese.

“Most of the ingredients we use come from this land and are prepared and served by Vietnamese people.”

Vietnamese cuisine is now famous throughout the world. Our food is light, healthy and delicious.

I often tell my staff that we are not just a restaurant, we are representing Vietnam.

When diners come here, it can be the first or the last night they are in Vietnam, so what they will remember are the foods we serve them.

How bad or good their impression of Vietnam is lies in these dishes.

– Peter Cuong Franklin –

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Source: Tuoitrenews.vn (https://tuoitrenews.vn/news/features/20200228/this-acclaimed-chef-is-selling-100-banh-mi-pho-in-vietnam/53202.html)

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Ancient Mang Thit brick village: A nostalgic destination in Vietnam’s Mekong Delta

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Situated in Mang Thit District of Vinh Long Province in the Mekong Delta of Vietnam, the Mang Thit brick village, known as the ‘kingdom of bricks’ in the region, has a history of over 100 years, making it very attractive to tourists from near and far.

The uniqueness of the ancient brick village lies in its kilns, with each of them having a height of 5-12 meters and a round tower shape, creating a distinctive architectural complex.

Mang Thit is also regarded as a village of traditional craftsmanship and tourism.

Such a perfect combination drives up the village’s economic growth.

Blocks molded in clay are sunbathed before being put into a kiln for burning

Blocks molded in clay are sunbathed before being put into a kiln for burning in the Mang Thit brick village in Mang Thit District, Vinh Long Province, Vietnam.  

 

Vinh Long Province offers supportive policies to local craftsmen and gives special mechanisms to turn the brick hub into the ‘Mang Thit contemporary cultural heritage’ to further boost socio-economic development.

Nam Lon, whose real name is Le Van Lon, a 72-year-old resident of Nhon Phu Commune, Mang Thit District, has over 40 years of brick-making experience.

In boom times, the village had over 2,800 kilns, but it is now home to only 1,000 furnaces, with a mere 30 kilns burning frequently, he recounted.

Meanwhile, the rest lie idle waiting for tourists, he added.

“Apart from the beauty of kilns, which look like eggs, the secret to burning a kiln becomes unique and exciting,” Nam Lon said.

“As a highly-skilled kiln-man, he must know how to control the fire to burn bricks well.

“Brick-making can make money, depending on the artisan’s experience and skills.

“I am very pleased and excited to see the place used for tourism development.

“If a large number of tourists visit the village, locals can enjoy a more comfortable life and preserve the traditional craft.”

In fact, the Mang Thit brick village is fading into history as many artisans have quit the craft to land a new profitable job, while furnaces have degraded.

The owners of operational kilns are struggling to make a living and wait for a promising start of a ‘contemporary cultural heritage site.’

The village now has only 30 burning furnaces as many artisans have landed another job

The village now has only 30 burning furnaces as many artisans have landed another job.

Mr. Hoa, a resident of Nhon Phu Commune, has pursued the craft for over 20 years

Mr. Hoa, a resident of Nhon Phu Commune, has pursued the craft for over 20 years.

Nam Lon says that in boom times, the village has over 2,800 kilns, but is now home to only 1,000 furnaces, with a mere 30 kilns burning frequently

Nam Lon says that in boom times, the village has over 2,800 kilns, but it is now home to only 1,000 furnaces, with a mere 30 kilns burning frequently.

The Mang Thit Brick Village is a must-visit destination in the Mekong Delta region

The Mang Thit brick village is a must-visit destination in the Mekong Delta region.

A photo shows abandoned and aging kilns

A photo shows abandoned and aging kilns.

Like us on Facebook or  follow us on Twitter to get the latest news about Vietnam!

Situated in Mang Thit District of Vinh Long Province in the Mekong Delta of Vietnam, the Mang Thit brick village, known as the ‘kingdom of bricks’ in the region, has a history of over 100 years, making it very attractive to tourists from near and far.

The uniqueness of the ancient brick village lies in its kilns, with each of them having a height of 5-12 meters and a round tower shape, creating a distinctive architectural complex.

Mang Thit is also regarded as a village of traditional craftsmanship and tourism.

Such a perfect combination drives up the village’s economic growth.

Blocks molded in clay are sunbathed before being put into a kiln for burning

Blocks molded in clay are sunbathed before being put into a kiln for burning in the Mang Thit brick village in Mang Thit District, Vinh Long Province, Vietnam.  

 

Vinh Long Province offers supportive policies to local craftsmen and gives special mechanisms to turn the brick hub into the ‘Mang Thit contemporary cultural heritage’ to further boost socio-economic development.

Nam Lon, whose real name is Le Van Lon, a 72-year-old resident of Nhon Phu Commune, Mang Thit District, has over 40 years of brick-making experience.

In boom times, the village had over 2,800 kilns, but it is now home to only 1,000 furnaces, with a mere 30 kilns burning frequently, he recounted.

Meanwhile, the rest lie idle waiting for tourists, he added.

“Apart from the beauty of kilns, which look like eggs, the secret to burning a kiln becomes unique and exciting,” Nam Lon said.

“As a highly-skilled kiln-man, he must know how to control the fire to burn bricks well.

“Brick-making can make money, depending on the artisan’s experience and skills.

“I am very pleased and excited to see the place used for tourism development.

“If a large number of tourists visit the village, locals can enjoy a more comfortable life and preserve the traditional craft.”

In fact, the Mang Thit brick village is fading into history as many artisans have quit the craft to land a new profitable job, while furnaces have degraded.

The owners of operational kilns are struggling to make a living and wait for a promising start of a ‘contemporary cultural heritage site.’

The village now has only 30 burning furnaces as many artisans have landed another job

The village now has only 30 burning furnaces as many artisans have landed another job.

Mr. Hoa, a resident of Nhon Phu Commune, has pursued the craft for over 20 years

Mr. Hoa, a resident of Nhon Phu Commune, has pursued the craft for over 20 years.

Nam Lon says that in boom times, the village has over 2,800 kilns, but is now home to only 1,000 furnaces, with a mere 30 kilns burning frequently

Nam Lon says that in boom times, the village has over 2,800 kilns, but it is now home to only 1,000 furnaces, with a mere 30 kilns burning frequently.

The Mang Thit Brick Village is a must-visit destination in the Mekong Delta region

The Mang Thit brick village is a must-visit destination in the Mekong Delta region.

A photo shows abandoned and aging kilns

A photo shows abandoned and aging kilns.

Like us on Facebook or  follow us on Twitter to get the latest news about Vietnam!

Source: https://tuoitrenews.vn/news/ttnewsstyle/20230317/ancient-mang-thit-brick-village-a-nostalgic-destination-in-vietnams-mekong-delta/72101.html

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500,000 LED lights brighten downtown park in Ho Chi Minh City

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Approximately 500,000 LED lights are used to form a lotus field and cherry blossom garden at Bach Dang Wharf Park in District 1, Ho Chi Minh City.

The ‘light garden’ is just one of several activities held as part of Ho Chi Minh City’s 8th Japan-Vietnam Festival, which coincides with the 50th anniversary of Vietnam-Japan diplomatic relations.

The two scenes were inspired by iconic flowers from the two countries: lotus and sakura, also known as Japanese cherry blossom.

Aside from the lotus and sakura light displays, the event organizers have installed colorful lights throughout the rest of the park, including a 50-meter-long, four-meter-wide lit-up dome that is quickly emerging as a popular photo hotspot for young Ho Chi Minh City residents.

Tuan, a resident of Phu Nhuan District, Ho Chi Minh City, along with his family, takes selfies in the LED lotus field. Photo: T.T.D. / Tuoi Tre

Tuan, a resident of Phu Nhuan District, Ho Chi Minh City, takes a wefie along with his family in the LED lotus field. Photo: T.T.D. / Tuoi Tre

The LED lotus field in the Bach Dang Wharf Park in District 1, Ho Chi Minh City. Photo: T.T.D. / Tuoi Tre

The LED lotus field at Bach Dang Wharf Park in District 1, Ho Chi Minh City. Photo: T.T.D. / Tuoi Tre

Delegates inaugurate the light display at Bach Dang Wharf Park in District 1, Ho Chi Minh City. Photo: T.T.D. / Tuoi Tre

Delegates inaugurate the light display at Bach Dang Wharf Park in District 1, Ho Chi Minh City. Photo: T.T.D. / Tuoi Tre

The number of LED lights—500,000—is symbolic of the 50 years of diplomatic ties between Vietnam and Japan.

Tran Phuoc Anh, director of the Ho Chi Minh City Department of Foreign Affairs, said that the light display at Bach Dang Wharf Park is indicative of the bright future ahead for Vietnam and Japan.

Meanwhile, Watanabe Nobuhiro, Consul General of Japan in Ho Chi Minh City, expressed his gratitude to the Ho Chi Minh City leadership for their collaboration with the Japanese Business Association of Ho Chi Minh City to organize the light display and contribute to the establishment of an improved nighttime entertainment venue in the city.

He shared his hope that local residents will appreciate the sakura and lotus light displays.

The lights will be kept up at Bach Dang Wharf Park until April 16.

On February 25 and 26, the 8th Japan Vietnam Festival was held at the 23/9 Park in District 1, Ho Chi Minh City and featured several culture, trade, and cuisine exchanges.

The event, which attracted 500,000 locals and tourists, contributed to fostering the relations between Japan, Ho Chi Minh City, and Vietnam as a whole.

Two youngsters take selfies in the LED lotus field. Photo: T.T.D. / Tuoi Tre

Two youngsters take a selfie in the LED lotus field. Photo: T.T.D. / Tuoi Tre

The LED sakura flowers at Bach Dang Wharf Park in District 1, Ho Chi Minh City. Photo: T.T.D. / Tuoi Tre

The LED sakura flowers at Bach Dang Wharf Park in District 1, Ho Chi Minh City. Photo: T.T.D. / Tuoi Tre

Like us on Facebook or  follow us on Twitter to get the latest news about Vietnam!

Approximately 500,000 LED lights are used to form a lotus field and cherry blossom garden at Bach Dang Wharf Park in District 1, Ho Chi Minh City.

The ‘light garden’ is just one of several activities held as part of Ho Chi Minh City’s 8th Japan-Vietnam Festival, which coincides with the 50th anniversary of Vietnam-Japan diplomatic relations.

The two scenes were inspired by iconic flowers from the two countries: lotus and sakura, also known as Japanese cherry blossom.

Aside from the lotus and sakura light displays, the event organizers have installed colorful lights throughout the rest of the park, including a 50-meter-long, four-meter-wide lit-up dome that is quickly emerging as a popular photo hotspot for young Ho Chi Minh City residents.

Tuan, a resident of Phu Nhuan District, Ho Chi Minh City, along with his family, takes selfies in the LED lotus field. Photo: T.T.D. / Tuoi Tre

Tuan, a resident of Phu Nhuan District, Ho Chi Minh City, takes a wefie along with his family in the LED lotus field. Photo: T.T.D. / Tuoi Tre

The LED lotus field in the Bach Dang Wharf Park in District 1, Ho Chi Minh City. Photo: T.T.D. / Tuoi Tre

The LED lotus field at Bach Dang Wharf Park in District 1, Ho Chi Minh City. Photo: T.T.D. / Tuoi Tre

Delegates inaugurate the light display at Bach Dang Wharf Park in District 1, Ho Chi Minh City. Photo: T.T.D. / Tuoi Tre

Delegates inaugurate the light display at Bach Dang Wharf Park in District 1, Ho Chi Minh City. Photo: T.T.D. / Tuoi Tre

The number of LED lights—500,000—is symbolic of the 50 years of diplomatic ties between Vietnam and Japan.

Tran Phuoc Anh, director of the Ho Chi Minh City Department of Foreign Affairs, said that the light display at Bach Dang Wharf Park is indicative of the bright future ahead for Vietnam and Japan.

Meanwhile, Watanabe Nobuhiro, Consul General of Japan in Ho Chi Minh City, expressed his gratitude to the Ho Chi Minh City leadership for their collaboration with the Japanese Business Association of Ho Chi Minh City to organize the light display and contribute to the establishment of an improved nighttime entertainment venue in the city.

He shared his hope that local residents will appreciate the sakura and lotus light displays.

The lights will be kept up at Bach Dang Wharf Park until April 16.

On February 25 and 26, the 8th Japan Vietnam Festival was held at the 23/9 Park in District 1, Ho Chi Minh City and featured several culture, trade, and cuisine exchanges.

The event, which attracted 500,000 locals and tourists, contributed to fostering the relations between Japan, Ho Chi Minh City, and Vietnam as a whole.

Two youngsters take selfies in the LED lotus field. Photo: T.T.D. / Tuoi Tre

Two youngsters take a selfie in the LED lotus field. Photo: T.T.D. / Tuoi Tre

The LED sakura flowers at Bach Dang Wharf Park in District 1, Ho Chi Minh City. Photo: T.T.D. / Tuoi Tre

The LED sakura flowers at Bach Dang Wharf Park in District 1, Ho Chi Minh City. Photo: T.T.D. / Tuoi Tre

Like us on Facebook or  follow us on Twitter to get the latest news about Vietnam!

Source: https://tuoitrenews.vn/news/ttnewsstyle/20230316/500000-led-lights-brighten-downtown-park-in-ho-chi-minh-city/72125.html

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Ke Huy Quan wins best supporting actor Oscar for ‘Everything, Everywhere’

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Ke Huy Quan, the Vietnamese-born actor who as a child appeared in “Indiana Jones and the Temple of Doom,” received the Academy Award for best supporting actor for his role as Waymond Wang in “Everything Everywhere All at Once.”

Quan, 51, made his big-screen debut as Harrison Ford’s sidekick, Short Round, in the 1984 film, and later appeared in the film “The Goonies” and the situation comedy “Head of the Class.”

He has spoken publicly about stepping away from acting as an adult, working as a stunt coordinator and assistant director, because there weren’t enough opportunities for Asian actors.

Quan’s portrayal of Waymond Wang was his first major role since the ’90s.

“Dreams are something you have to believe in,” Quan said. “I almost gave up on mine. To all of you out there, please keep your dreams alive,” he said in his acceptance speech.

Quan has said he felt “so very lucky to have been chosen” for the “Indiana Jones” role, though he began to wonder “if that was it.”

“For so many years, I was afraid I had nothing more to offer, that no matter what I did, I would never surpass what I achieved as a kid,” Quan said. “Thankfully, more than 30 years later, two guys thought of me. They remembered that kid. And they gave me an opportunity to try again.”

On stage at the Oscars, Quan tearfully acknowledged his 84-year-old mother watching at home, hefting the Oscar and declaring, “Mom, I just won an Oscar!”

Ke Huy Quan, the Vietnamese-born actor who as a child appeared in “Indiana Jones and the Temple of Doom,” received the Academy Award for best supporting actor for his role as Waymond Wang in “Everything Everywhere All at Once.”

Quan, 51, made his big-screen debut as Harrison Ford’s sidekick, Short Round, in the 1984 film, and later appeared in the film “The Goonies” and the situation comedy “Head of the Class.”

He has spoken publicly about stepping away from acting as an adult, working as a stunt coordinator and assistant director, because there weren’t enough opportunities for Asian actors.

Quan’s portrayal of Waymond Wang was his first major role since the ’90s.

“Dreams are something you have to believe in,” Quan said. “I almost gave up on mine. To all of you out there, please keep your dreams alive,” he said in his acceptance speech.

Quan has said he felt “so very lucky to have been chosen” for the “Indiana Jones” role, though he began to wonder “if that was it.”

“For so many years, I was afraid I had nothing more to offer, that no matter what I did, I would never surpass what I achieved as a kid,” Quan said. “Thankfully, more than 30 years later, two guys thought of me. They remembered that kid. And they gave me an opportunity to try again.”

On stage at the Oscars, Quan tearfully acknowledged his 84-year-old mother watching at home, hefting the Oscar and declaring, “Mom, I just won an Oscar!”

Source: https://tuoitrenews.vn/news/ttnewsstyle/20230313/ke-huy-quan-wins-best-supporting-actor-oscar-for-everything-everywhere/72080.html

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